Wednesday, December 22, 2010

Aleatoric Rap

Huge Nametag These Sewer Oyster




lyrics:


verse 1: [The Notorious Hipp.I.E.]

Viewable squadron, nuclear fro faerie

weakfish Zeus verb set FedEx wrath dairy

fluid toes gutsy undersea aftertaste

factorize werewolf Easter hairy unchaste

cast awesome ganja day, salty dryad Paraguay

airshow awe way overpay, warehouse saga passageway

facetious wrap, greasy fig

Sun therapy swap, ready swig

Genghis yurt shy war yam adult steelyard

tsunami cough any dykes eery lumberyard

haste thread graph, Hanukkah bullfrog

terse spiffy dray, f ya swarthy snog

cursed neighs, those Saturn sulfur orgasm Sun leasers

unhand underweight oasis reagent brainteasers

freaky inhale that groaning organ expander

reawakening degrease us tawdry fuel connector

majordomo brewing crucify heresy Tutu

unfed gusher INRI Jersey priesthood


verse 2: [Variable Hamburger Gangsta]

Yo! Yo!

I be tiara tweakin' Netra stigma

Feign news bag bargain Nannie pigment

I be from the discharge of KFC-tinware

I rub hogwash Vienna tavern fanfare

I be ballin' effigy iceberg Godhead

dwell tramway toga aforesaid

flowering gnomish threnody turbaned beeswax

thwart grapefruit nightwear gunmetal earwax

Faust ghostwrote for bitchy grass Faraday

heal granite bugbear gadfly dismay

feature gramophone reawaken vampire overpay

Hindu sandwich biomass halberd stingray


verse 3: [Ashtray Photostatic Rastafarian]

Jewish gawky, loafing dude

eggnog weather, eating brood

Faulknerian grumbling rat sushi spoon

feudal weapon jet, versatile goon

Ashurbanipal nagware Erhard drystone

datum era Hamsun Reyna pudgy

useful ashtray, aghast spymaster

faith Gwendolyn grosbeak pasteurizer

highway endue, fishy ghoul

jasmine ahoy bagful sabotages

Odyssey gauze strung guy squat Bahamas

jalousie Tao commonweal offhand maracas

nerdy nuke ghetto Duke fret massages

HDTV ninja sightread Jacobi exhume

Hindus end fresh mouser earwig pushbike

Indus maiolica landfill fuselage

avian koan bighead privacy grabber

Fundy oat tubful guitarist hedgehog

jigsaw quaver typo payday theater

malefic thruway genie king sturgeon bathwater

Nestle unreal megalith fitful Hrothgar relay

ageratum hero laughable Hearst Tesla sleepyhead

ovenware gherkin herald yaws ravage bent day

guff ghoul bruiser gear

typo Violet ghastly deer

desert horse urea beer

swag regrow wigwag rear

I be smokin' aforesaid freebase beta wombats

I be smokin' anabolic aeon shopfront sheep cravats

I'm still Panasonic gnome hedge rude sunhats

bedbug footwear tyrannic feather eating rawboned bats

smorgasbord feature feasting Hogwarts Jehovah vats

Friday, December 10, 2010

Do mythic pair double-u

skip’un is damn bangladesh fashion hive sniffin essex (skee’ole! so) surly fuss and oboe boas. Sis flew modeless fair sat sofa faye, “Ham puff lit pass ajar edges.”
“Glow shack is this damn officer?”
“Sensei’s fib sob,” hide kazoo.
“Zoe wrote hat?”
“Erode.”
“Dandy sops paid, end five fellow ices.”
“Rotor sap dishes broke?”
“Dishrag do,” Sofia said. “A real ox soap.”
“Weep eh? e-tard. A prĂȘt. His trachea heckle minnow. Nice pasta sifty beefy access low!”
“Hush! Half-raid! Wore!”

Monday, December 6, 2010

And and something something

Undeniably without a doubt I and myself conducted and performed a creative experiment the workshop for potential literature (Ulipo) invented and created doubling and increasing by itself each and every thing or object of any and all phrases or statements in order to make the process and device apparently blatant with or without mentioning or withholding previously said restrictive constraint.

Sunday, December 5, 2010

Swallow the BIGness

In the night, my feverish head between Momma's warm rough hands. Almost a comfort, still raw from dishwater and slick with grease. "Turn on the light," I heard her say though no one did for a very long time. I thought that if she moved at all that my head might come off in her hands. She might still have the skill to mold it back to how it was and stick it there. She was full of gravity, having grown older and fatter. She didn't move but held me still as the rest of the room turned and ground bigness like a fist into my stomach.

I felt her fingers pressing my neck, but heard her already in the kitchen. She was wetting a cool rag. I heard the slop of the water the whine of the pipes. And always, no matter what she was doing, inexplicably, a clanging of large iron pots. "I'll be right back," she whispered in my ear.

It was dark in the room, the stiff comforter scratching my naked thighs. The kitchen light cut the floor like a slice of orange, and there was a rumble in the driveway. My head was still stretching toward the ceiling, Momma gently wringing my neck like the neck of a chicken and we did a tippy toe dance into the living room to see. The screen door creaked open and the doorknob was turning, but I was suddenly blinded by the washrag Momma slapped on me. It smelled of bleach and piss. "Thanks Jean," Momma said to herself. "Sure no problem" Jean said. "We're going to blow this bastard to smithereens!" "To kingdom come." "Our will be done!" "Holy shit, yes!" said Jean. And I heard them slap palms.

And sure enough it was Daddy who came through the door, I could hear his voice say "Woah!" He looked like a bear through the thin washcloth and I wondered what sort of comfort I was supposed to be deriving from this. They converged on him, though my eyes might have been crossing from the fever or the ammonia or whatever.

The pair of hands still on my neck roughhoused me into a corner then finally let me go. My head began to wiggle upwards from the rest of me and the rag slipped off my face. I tried to hold my head steady with both hands, but my palms were so slippery sweaty; I felt it inching up. In the kitchen the light was blazing but, there was no one around. I looked toward the door which was now closed and on the floor, near the Welcome mat, there was a gleaming brown stain freshly mopped.

"Godamn it! Turn around so I can see about you!" Momma screamed from behind me and she surprised me so much that I lost my head completely and it smacked almost immediately and painfully into the ceiling where it bobbed and rolled. At last, I vomited. I was the potato salad, I knew. I'd had too much and the mayonnaise was questionable. Momma cursed and whistled for back up. And Jean and Jean came running in with brooms. "I really feel a lot better," I called down as Momma batted my head. "Then you'll clean this toute de suite," she called and I knew that I probably wouldn't get out of it this time because even as she beat me with brooms I saw her filling a bucket with water.

Sunday, November 28, 2010

The Cake Dancers - Negro Music



Negro Music is the first album by the Cake Dancers. Spectral skronks, tape manipulations, brutist lullabies, dada wandering, cottage skulls.

1.) Intro, with Glockenspiel and Improvised Accordion
2.) In Cambodia
3.) Love Is Easy
4.) The Use of a Deer Skull, Knife and Coyote Call to Produce a Kind of Humorous Braying
5.) Cozy Cozy Cozy/Jazz Loop
6.) Negro Music
7.) Cartilaginous Beast Whimsy (A Montage)
8.) My Breasts Are Exposed as Moisture Secludes My Undulation
9.) As Quiet As Meat, Please

A second release of Negro Music is being prepared so ask for one soon. Releases will be sporadic depending demand. Download the first single, Love Is Easy, below.

Thursday, November 18, 2010

doom ethic pared blue

Sky on us damp did of ash hash alive so if . suns six . ski. oil . safe . several fifes and oak foes : is few ode loss for soft Sofia fey, “aim up off aloft poufs afar eye is.”
“go show as his dim oaf sir?”
“sin says fat fob,” side us oak.
“so he road had ?”
“a rose.”
“And sod spade, and fife fell all vices.”
“ Dad, our cap did he soak?”
“ Dishrag do,” Sofia said. “A real ox soap.”
“We pay. Eat hard. Up rut. His try he kill man, no. Once pass do safe he bevy axe Oslo!”
“Dash! Afraid! War!”

Saturday, November 6, 2010

red light

When I was eight, my friend told me she knew that ghosts were real because every night in the thick black line of sky above the cane field opposite her house, she saw a red dot of light. “It’s not regular,” she said. “Not like a regular light, but it moves where I move and it kind of hums or buzzes, and when I go get my momma it’s gone. Like, it left.” I asked her how she really knew what it was. She had thought it was an alien, and the light was on their ship “like a headlight.” Her mother didn’t think it was an alien at all; she told her it was the soul of a dead child trapped in a single drop of blood. She made her pray the rosary for it.

Every night since she told me, when I stood alone on the porch after dinner, shaking out the table cloth, I looked for the light. I tried to recreate the moment in my head, the small red dot emerging suddenly out of the night. But I didn’t live in the country and it was not nearly as dark. The sky was a mud brown after sunset. I could see one star, the halo of orange parking lot lights from the grocery store, and the pale head of the water tower which I liked to pretend was the moon. I waited for the red dot. I tried as hard as I could to work myself into fright. But I never saw the light for myself. Until I spent the night at Nick’s.
Nick was my first boyfriend and lived in the deep country in Sunset. I finally had a convincing enough pre-text for spending the night at his house. A party that a lot of people would be at with Nick’s mom as a chaperone. Luckily my dad had never met her. It was New Year’s Eve and surprisingly icy as me, Nick, and Nick’s “cool” mom Sheryl were all sliding into each other in the front seat her pickup truck. “I’m a cool mom,” she said as I sat pressed up against her side inevitably inhaling her spicy body odor and whatever kind of alcohol that was on her breath. “I mean I’m a fucking cool mom, right Nick?” Nick laughed saying “Sheryl, Sheryl,” like a sitcom dad. They passed a cigarette between themselves. I wondered where Nick’s dad was.

“He’s offshore, he’ll call later though; he can’t leave me alone long. I’m fucking crazy. I mean I’m on meds. You can go fucking crazy living in butt fuck Egypt practically by yourself. At least I’ve got Nicky. Oh and call me fucking Sheryl, by the way.”

“Okay, thanks, fucking Sheryl.” I said, feeling suddenly glad to have done my eyeliner in the rear view mirror of dad’s truck while I waited for them in the drive-way. I imagined it made my eyes seem less wide. They laughed and Sheryl took her hand off the wheel and ground her fist into the top of my head. Her cigarette threatening to ignite my hair.

Nick was two years older than me but he was still in homeschool highschool run by his mom. They lived out in the woods with chickens and horses and Nick told me “We can do anything out there. We don’t have neighbors for miles.” I imagined the country with tall itchy grass to run around in and maybe a first kiss under a sky full of clouds, but realistically the drive took two hours and when we pulled up to the house, all I could see was the smoking white gravel in the triangles of yellow light that came from the headlights.

“Where’s everybody else?” I said as the screen door slapped shut behind me. I could see every room of the house from the threshold, all lined up: the 70s kitchen, the living room with a pink couch and a small tv, two bedrooms with their doors open, and two windows on the back walls of the bedrooms and black sky through them.

“One time we went and bought a bunch of rolls of tin foil and covered the entire kitchen in it, like everything, the fridge, and all the appliances. It was like outerspace, it was totally fucking rad, we could do that if you want,” Nick said. Cheryl raised her baggy sweater over her head and threw in onto the floor next to the kitchen table, revealing her black sportsbra.

“I’m hot natured. I mean this shit is nothin’ if you’re from Wisconsin” she said and she moaned and ran her fingers through her hair as she walked into a room off to the right that must’ve been the bathroom. “Gotta take a piss, be right back!”

“Nick, where is everyone else?” I asked punching him lightly in the arm as we stood in his kitchen. He took my fist in his hand and pushed it away.

“Who else do we need?” he said and he began pulling down liquor bottles from on top of the fridge. A fifth of Jack Daniels, JosĂ© Cuervo, a bottle of Glenfiddich, a bottle of Merlot, and then from the freezer a giant chilly bottle of Absolut. He clanged all the bottles together on the slick vinyl checked cloth that covered their table and stepped back crossing his arms. “Ah!” he said actually snapping his fingers, and he pulled from the fridge two six packs of Natural Light.

“Natty?” he said tossing me a sweating can. I dropped it.

“Shit.” I said fumbling after the can that was rolling away from me on the linoleum. I felt his hand press my bottom and I stood up without getting the beer and looked at him. His eyes were big and honest looking and his face was white and smooth and he reminded me of a boy. That’s how I had always thought of him. But he was something more. My face felt hot and I turned from him and asked if we really could cover the entire kitchen in tin foil.

“Yeah, sure!” he exclaimed, and he wrapped his arms around me from the back and jostled me from side to side.

“Stop it, stop it,” I laughed. I felt my assurance creeping back. He was the same person I knew.

“You’ll want to get a head start on the Natty Light so you don’t feel the burn though,” he said into my ear.

“Jesus, fuck, get a room!” Sheryl swaggered back into the kitchen. I thought that maybe she would have changed clothes but she was still wearing just her sports bra and jeans. She was muscular yet curvaceous with Nick’s brown eyes and she let her long black hair flow down her back. Her tanned knees poked through the holes in her jeans. “Ha! I feel like a Guess! girl,” she said and leaned back over the table flipping her hair back all over the liquor bottles. Nick removed his arms from my waist and crossed them.

“Before Nicky was born and it was just me and Randy out here he put these jeans up on the wall of the barn and shot them through the knees. It was the style! And we didn’t use any pussy BB gun either. A shotgun all the way. We still have it. She reached down and pinched my leg right above the knee. “We could do yours.”

“Aw, you should! You totally should. I’ve seen the pictures of Mom. She was hot!” Nick said.

“Was?” said Sheryl. She reached out to grab Nick. “Come give your hot mom a kiss you little shit!” They chased each other around the table until she caught him and kissed him right on the mouth.

“Blahh!” said Nick mock spitting and gagging.

“Want another?” Sheryl said puckering her lips.

“Jeez mom, you didn’t have to have to stick your tongue in my mouth!” Nick said.

“Oh that’s it! Another!” Sheryl said and started up as if to chase him again. I backed away from the table pressing my hands and butt into the hard edge of the countertop.

“Look Briane’s afraid!” Sheryl said, and began to laugh.
“Naww, she’s just jealous of your supreme hotness,” Nick said.
“Ah, well you’ll grow boobs one day!” she said baring her teeth.
“Haha,” I said.
“I mean look at her Nicky! She’s pretty enough! No, no Bri, you need to learn how to take a compliment. I mean, just think in a few years. Fuckin’ sexy.”
“Fucking right.” Nick said winking at his mom and taking a swig of beer.
“Well thanks ya’ll,” I said. “That’s really fucking nice!”
“Yeah, Briane, you really shouldn’t curse at me. I’m your boyfriend’s mother. It’s extremely rude. And besides those words just don’t sound right coming out of your mouth. It’s pretty ridiculous.”

*
We all sat down at the table. Nick and I each held the bottom of a can of Natty light to our lips where Sheryl had poked a hole. She had chugged half the bottle of Merlot, herself. She counted down from three; we were supposed to snap open the pop-top on “one!’ and nearly drown in a fast stream of beer. Nick said this would be the best way for us to chill out. And bond. “Briane, meet Jack, JosĂ© and Glen, I believe you and Ms. Natty are already acquainted.”

It was too easy to get here, to this moment with a cold beer pressed against my lips, sucking out the excess air. When I asked dad if I could go over to Nick’s, his eyes went blank and I knew he was trying to remember who he was. If he was a church friend or not.
“He’s a dancer, dad,” I said.

“Oh yeah,” dad said, snapping his finger. I could tell that he didn’t remember. Nick and I had met in dance class. And in the weeks leading up to the “party” we had been smoking cigarettes in the back of the studio. I got it out of the way and told him that my mom died when I was eight. It was that simple and nothing was changed. After I told him we cut class to sneak across the street to the GameStop to play the sample Xbox. It was the most fun I could remember having.

“Well, what are his people like?” I could tell that dad was trying to find out if he was black or Catholic.

“They’re not Catholic dad,” I said and he let out a nervous laugh and said that was not what he was asking about. But had they been to our church? I told him yes. I had no idea what religion his parents were. Nick didn’t believe in God. I didn’t either, though dad didn’t know. The people at the church behind my dad’s back told me that my mom had gone to hell because she didn’t convert from Catholicism. I was never going to see her again. It was all such a load of shit.

“Nick’s dad works offshore and his mom stays at home and tutors him.”

“Oh, that sounds great. And the New Year’s party sounds fun and his mom will be there?”

“Yeah.”

“Well maybe you should go. I kind of have this date that night.”

“Oh, really, who with?” It was as if an alien had landed before me and assumed the form of my father.

“Oh, a lady from church, Joyce. But I don’t really know if I want to go. I mean me and you could both stay home this weekend and made sloppy joes. We could watch It’s a Wonderful Life.”

“No, that’s okay. Dad, you should go.”

“You think?”

“Yeah, go.”

*

The beer rushed down my throat and I almost gagged on it but held it down. Nick immediately poured two shots of Jack which we shot. There was a fire moving down my throat and into my guts. I grabbed the table with both hands. Nick let out a howl.

Cheryl snorted and asked for Nick to light her cigarette while it hung out of her mouth.
Her eyes were bloodshot and her face sort of drooped. “I’m taking this to bed,” wiggling the mostly empty wine bottle in our faces. “Don’t try any shit,” she told me with one of her eyes shut.
“Sheryl,” Nick said rising. “Off you go.”
“Nick, shut the fuck up.” She said pushing his arm away. She stumbled into the living room and leaned up against the couch. I didn’t realize she was that drunk. “Nicky is my baby, shut up. My baby and my soul mate. No. Listen, you sleep in there” she said pointing to the bedroom on the right. “and have a happy fucking New Year.” Nick grabbed her under her arm and led her into the bedroom on the left. She collapsed onto the unmade bed, giggling and pulling at Nick’s arms, “You’re strong Nicky. You’re a strong man. Come on Nicky, come on,” she said. He looked at me through the open door. Then she started crying and saying his name over and over.
“Sheryl, let me go get your medication,” he said but she kept pulling at his shoulder and crying into his hair. “Jesus, Sheryl let me go. It’s okay. It’s going to be okay. Look, let me just go, I’ll be right back. Jesus Christ. Mom! Let go of me!” he yelled standing back.
“Don’t fucking call me that!” she screamed. “Nick!”
He came out of the room quickly and half closed the door behind him. I thought that maybe he would apologize or explain. But he just cursed and went to the bathroom and flung open the medicine cabinet. When he came out with a pill bottle he said, “look, I can’t just leave her in there, but go wait outside and I’ll come through the window. She would hear the door. She always leaves the window open.” He didn’t say anything else before vanishing into Sheryl’s room and shutting the door. I could hear his voice speaking low over her sobbing.
It was cold in their living room. The warmth from the whiskey was leaving me. I walked up to the screen door and looked out. The night was pitch. I couldn’t see any moon. Sheryl had a big orange rotary phone to match her 70s kitchen. I wondered if dad was still out on his date. Or if he had even gone. He was probably asleep by now with a thin pillow curled over her ears. There was too much to say. I didn’t call him.

*
The night smelled like cold and static. My hairs stood up. I held the fifth of Jack up to my lips and took a swig. It tasted terrible. It tasted like how gasoline smelt. I was crying without sobbing. The tears were just finding their way down my face. I could barely feel them, my face was numb in the wind. I stood by the truck, leaning up against it. I looked at the half dark house. I could have gone and hid under Sheryl’s window so that I could hear her and Nick. But I didn’t go. Somehow I still wanted Sheryl to like me. I still wanted Nick to like me. And I couldn’t make myself not like them. It made me feel stupid, so, I called myself stupid under my breath and took another pull. That made me feel better. I got warmer and more optimistic. The stars were smiling and winking at me. I had never seen so many of them. I felt like their child.
When Nick finally came out I felt a big smile on my face despite my tears.
“I want to run,” I told him and took off. It was like dream running, my feet barely touched the ground and I felt nothing but good.

When he caught up with me, I didn’t feel like stopping so I kept on as best I could on my fluttering legs until he tackled me to the ground.
“You’re crazy,” he said. Then he smiled. And I thought that this was it. It was the time to be kissed. He was lying on top of me. He didn’t lean over to kiss me. I felt his hand fumbling with his pants. Please not like this, I thought as I looked up into the sky. The stars no longer smiled.
“Fuck! Fuck!” Nick yelled and he got up stepping on my hand. Smoke was coming out of Sheryl’s window in a steady column. Another window shattered. He ran toward the house. It was burning. I lied there on the hard ground and tried to feel my limbs which had gone numb from the cold and alcohol. That’s when I saw it. Hovering over the line of trees in the direction of the road. The red light. It buzzed and popped. I stood up and somehow my legs settled under my weight. The light was gone. But then it shot back up. My red light.

I followed it until the sky was lost in smoke.

Friday, November 5, 2010

3 Month Old Corpses

[1]

His member in hand

that color that women think passes for blonde
A smashing good time, kicked in the teeth!
and then mistaking a young boy for a housewife

whose brain exploded from a lack of self-improvement
efforts (but on the contrary:

I’ve seen some cunts in my day…
down by the delicatessen

Never forgotten, clung to like teeth those
dirty skanks, those skanking cry-mores
yet George W. was a shoe-in, despite being Hitler’s excrement simulacrum
. they forgot me They forgot ME!
our total apologies for smearing your feelings on the walls
of this cream-colored restroom
Where is I? Dad? They are just beginning to
become people
the dripping of
It’s so quaint
lost in oblivion, mass-produced cephalic carnage
and,
egoless as a belfry spirit, a humming cloud) but, alas, also:

stew-pud, this
a sniveling child has more taste than

humanity. So well led and
kicked the martians in the nutsacks
fractal .

[2]

quicksilver panes gentle and
for those of you with fingers!
like giant archeological digs, bones exposed, bleached
and passing out

the wind

there’s that crazy fog!
ziggurats in every tear duct

again needling you. AGAIN asking

some people are as useful as a spinal tap for nerve damage

vibrato, In sotto voce
it is rather strange to see the pilot in the aisle…
portent

put a finger in
loose feeling

it’s not safe here. let’s go north where

headache crunchers

where no one is claustrophobic

a new set every year
indecent as mallets

is it possible they’ve infiltrated already?
caressing each other’s under carriage
scumbags!

Tuesday, November 2, 2010

Dinner for 7: A Conversation With Five Obstructions

First interpretation:

I saw the lower bayou lafourche as a land of faith, not necessarily a faith practiced in stone buildings with proximity to alters. This place is woven with a faith in the decaying infrastructure. Faith that bridges, levees, locks, and structures will survive the constant world around it. The land is disappearing. People are not.

Horizons
I rendered these observations with watercolor painted from memory. At each memory I was at a different hight(which will push the the horizon line further for the observer). Each is also from a different point along highway 1, therefore trying to cover as much of lower lafourche as possible in my first visit.






Friday, October 29, 2010

And it came to pass that Schnozzle...

And it came to pass that Schnozzle was aversive with hives brotherhood; and shovelful waveguide strongman, and became eyesight as to the strengthener of a maelstrom; and he was also tigerish in misjudgment.

recorded some televangelists saying rediculous things.

mixed in sounds.

sped up a really fucked up Russian porn, and ran it through a luma delta filter, which shows the dynamic elements of each frame as white lines, and the static elements of a frame as a black background.

mixed the two together.


the sounds include a broken DVD drive, Lester and Brennan's apartment toilet, an improvised waltz on guitar in a stairwell, an erhu bowed scratchily, a howling wolf-dog, a conversation with a howling wolf-dog making shaking howls (which ends with me blowing a shakuhachi like a didjeridoo, and the wolf-dog playing with a squeaky-toy), an ice-cream truck, a concert band rehearsal with severely altered tempo, recording from "Deal or No Deal," a circuit-bent keyboard, an electronic piece created with Reason3.0, a vocal trio improv in a parking garage, ice in a thermos, rain, and perhaps a few other sounds I have forgotten.

Thursday, October 28, 2010

Dinner for 7: A Conversation With Five Obstructions

Kristi Dykema Cheramie and Jeff Carney

"a little gem we are now going to ruin"
- Lars Von Treir

As outsiders can we ever really know a place? As designers do we see the world as it is or is our vision hopelessly clouded by our own experiences, desires, fears, and objectives? ...Is this a bad thing?

This research methods and representation independent study will ask you to document a place using all media, and methods at your disposal. Working as a team you will document the Lower Bayou Lafourche. You will define the first documentation: the content, the mode of inquiry, the method. We ask only that your observations tell a story of the place. Choose a character, and environmental condition, a social need, a feature in time, something lost, something feared... You might approach the project as landscape architecture students but you might also approach it as outsiders, as men, as boaters, drivers, silently, with indifference, or as your home. The critical direction of your documentation is completely up to you.

Following this initial investigation, we will meet for dinner once every two weeks. Your critics will observe, question, critique, and debate your work. You will then be issued a series of obstruction to which you will need to respond, react, and remake your observations. As important as the initial making, your must navigate the design challenge embedded in the documentation of the first act.

This study is based on the film "The Five Obstruction," directed by Lars Von Trier

-Work to follow soon...!

Friday, October 22, 2010

that thing

"shit is hard."

and I too feel that. beat. hate,

the words I

use because I can feel them

stuck to my hands.

im getting turned down

and over

and off

and getting spanked

for being too much

in too little a space

that I can’t or won’t leave

and I can’t and won’t love

like my hands pressing something that isn’t mine

into my chest

that thing

thump

one. two.

I’m getting turned down by smiles.

why does she try?

when I don’t and won’t and

it’s that we both.

lied and though

I knew

and she knew

what it was

it is still

a surprise everytime,

that thing.

Sunday, October 17, 2010

On November 19th Mei Mei Berssenbrugge and Tao Lin are coming to read in Baton Rouge. They are crazy people, who we are lucky to have. Mei Mei is a very well-recognized and unfortunately soft-spoken poet, and Lin is a blizzard of funky gizzards. This reading is part of my move to make the Baton Rouge literary community not a piece of shit. We're spending some money to have these two high-caliber poets come and read in a very nice venue with the hope of really opening our community's interest in writing. .
I have decided that my Bruit Flow project is Baton Rouge. I would like to give a presentation in the future on my work developing the literary community here.
Sam

Mei Mei Berssenbrugge is the author of ten collections of poetry, including Fish Souls, Summits Move with the Tide, Random Possessions,Sphericity, and The Four Year Old Girl. Her work has been described as "spiritual exercises in physical form." Ms. Berssenbrugge has received fellowships from the NEA and two American Book Awards from the Before Columbus Foundation.

Tao Lin is the author of two collections of poetry, you are a little bit happier than i am and cognitive-behavioral therapy, as well as two novels, Richard Yates and Eeeee Eee Eeee & Bed, all published in the past four years. Gawker magazine has called him "maybe perhaps the single most irritating person we've ever had to deal with."

Thursday, October 7, 2010

I don't believe in God and I feel like the universe is full of malovolence, if not merely indifference.

Friday, September 10, 2010

Friday, July 30, 2010

All these symbols
relics
of a past

threatened by threads,

shunned &
shunted

sign at the bottom
giving hints

label
these ghosts:
"iron wrought vacation"
"tricolor scooter"
"what collided with last fall"

anthropoplasmic
disconjuct

save it
for
something meaningful
working at a bank

trying to reassemble
torn frequencies

to halve
and hold
bivalve lover
my cherry-blossom
saint scaling white
blood-flung
tongue
tipping chairs
from their heels
face-first
forgotten forever
oblivionic temporeality
clutching brain
decidedly immense
swaddled in marrow-lust


felt which
example
was
kinetic, which static,
and possibly
errata of possibility
shatter-storm
of crustaceans
"maelstrom carapaces."


at this point,
no congealed soul
would swim
not even
given a glimpse
back into reverie
nor would
animals, microcosmic
representations
of selves, or totems
all of our trivial
collections
lose purpose

some one kick
out of this
dream

and shove us
off our stumps!

Friday, July 2, 2010

and all of a sudden they were gone!


the letters the font the sounds and tastes

of them

each had a home. family, and a pet,

except for “k” who lived in a box and wrote stories about himself.

Tuesday, June 22, 2010

behest

this is me writing about pelicans soaked in oil, the death gasp of the Gulf of Mexico, bubbling

this is not a work of fiction

ill never eat again, he proclaimed, because there's hardly any world left.

the air and earth burning

and the sun like the moon

void.

Wednesday, June 2, 2010

Today I will be inside me (ongoing)

And walk in feet of glass. Terror floats on tiny boats of wood and diamond dust.
My nose, a resting place for a time from the unfathomable hole in the center of the earth. That strange thing, the vortices; blind heights and depths. Close your eyes. A rabbit. It always was. Waiting for me. The romance of beasts climbing trees. The hot breeze sagging. In limbo, breathing, we touch toes. She is herself again today. A sigh of relief.

She is hot on my body, my disembodied house. She is moving my lips with her lips and teaching me love speech on a dirty sheet. The rightness or wetness? The daylight on leaves? My mind was bigger than that moment and that has always been the problem.

She gave me monkey kisses. Her tongue thrust in my mouth tastes of iron solace. The boats pass and come like hours on beaches in grains and dusts of heat. The optimistic light, the wet, the liminal walk between sand and water, flesh and air and finding the exact middle of myself.

Eyes twinned, ears twinned, ass and breasts. A mouth, a nose, a cunt only one.

Monday, May 31, 2010

Pulp: Juice

Love is what makes cars cars. Experts rate an array. Better homes consumed by infinity. Regenerists say, "Au Lait." What if the person of your dreams was free? Communications like intellect and midnight. Original great bonus dollars.

Today I will be inside me. I'm in Thailand and I've just landed a 400 pound scientific team. They did experiments of all sorts on me: terrifying slashing. I've been defeated before. Violence and bloodletting is a way of life. The region is lost in the dark heart.

TAR ARCH TAPES!

Genital Accent Piece by Tar Arch Tapes

Saturday, May 29, 2010

Philosophical Event

Exist. Then, don't.

Patriotic Event

Gather together the flags of all the world's countries and burn them, then eat a carrot.

Wednesday, May 12, 2010

Nine Malic Molds

Nine Malic Molds by The Cake Dancers

This is a work in progress. It's one of several tracks on the upcoming album.

Saturday, May 8, 2010

(for Laura)

Dr nun Watson, he jests rotund from feasted prey, in flight from cyst pruning. Dolts like him feed on grits. The escaping wren discos denim, a stunt lard-bled at duty’s end. You are free from his wall, pride, and junk. Ballet to your ford pronto and have a rare thing—a thigh in your face, nude to accept your smut. His wish was to jinx us (the new dolt) to sum that stunt. Your gun bang charged free punting in manners of brass rutting calves. The all-world cast panting his jingle (a trim "prick-gag" comes to mind). End your iffy simulation noting the bits and throbbing fists. You razz that jingle up full mast, a pubic foci, three seconds sleepless. Ship-rend the nun and his gob, the naked stud. Dunk and crack for them in the stands, ratty as nudes rotting. Never stepping from quarters, you rule so like Tut in hell, students waking in this jailer’s reaping hut, for fields of wrecked expertise. They are knotted together that your stalactite laced tenors ferment rinds, flies lining up in numbers and numbers. Three seconds of a century in ruptured tipsy scud with the product of their jailor. Perhaps you have not censored dread and dust with that wild crass shield. He pants rasping dry, scarred by you, the theater child, grandchild or reverent writer, held together and given to throbs. He tenderly typed one block of text and he’s spraying servo juice, the product of reassembled companions. Five days you considered casting his public ruts to light, considered what might master flies like. I highly approve your nippy report, a snarl.

(This is a spell-check poem based on a letter one of my professors wrote to Printing Services for me. It's not a usual spell check poem, as I didn't actually use spell-check, I mostly corrected the spellings myself, occasionally taking inspiration from the checker and adding to the syntax as I felt necessary. I'm so happy that it developed into an address to the professor herself. I'm going to read it and the original letter tonight at the Delta release party.)

Tuesday, May 4, 2010

10 comments:

Emily said...

nag retesting, asocial, unseating canoeists for waning hut leafs, kingmaker the eel urea by tailgating hate oddly, gulping on talc brogans, tea. I smiled in this pie mover raspy mythical redial. I anew a cedar shark image at or with her tugboats.

April 27, 2010 1:18 PM

Emily said...

an ferreting, sacral, basseting onset of swig the seal, mating the dill rill by tolling the bold, cling on viol runes, taco. I hissed in these piqué mare crispy cynical denials. I wet a clean scar imam to go whip the thugs.

April 27, 2010 1:19 PM

Emily said...

why sip it sopping wickets?!

April 27, 2010 1:19 PM

Rev. Lester Tisdale IV said...

Havens the songfest. Khans for the memento by the awl. Fist attesting, blues I was trig spinally to be vase and it trendy auto its dust gorgy.

April 28, 2010 9:26 AM

I Am Bells said...

Assoil fury pearly to medley’s economy was piebald to elm.

April 28, 2010 10:25 AM

Emily said...

emesis inkle its lag or nosing, do you twang end to anklet our emir off the lids?

April 28, 2010 10:28 AM

matt said...

imp eloign the lutefisk of covens. its will encumber a shellac pie in a web dish, hen the clustering has adverse (freak verbosely mesa). tally then, if myth as wallet dada my wok scent: defiled oboes nix moons, fishy ethers orthodox casket.

April 29, 2010 1:40 PM

Rev. Lester Tisdale IV said...

This oat has eon armored by the loather.

April 30, 2010 8:31 AM

Rev. Lester Tisdale IV said...

Hominy!

April 30, 2010 8:33 AM

Rev. Lester Tisdale IV said...

Soothsay!

April 30, 2010 8:33 AM

Friday, April 30, 2010

Flocks of Moxen

Flocks of moxen walking down the trees, stepping gruntily in qwertious flow. Verily, their many-colored aptitudes speak for themselves, dundering upon such silent silks. On stilts we walk, haggard and token. Tales of folken wilderness vining upon every nestled stump. Entwined of rare metals, stringing along. A simple melody of a pond, and a quest in a frond.
Along such banks walked we, splishing the mud-haven. Cravenly entwistling the marshes of old. Swampy cattails arose from a zone. Walking we went, soaked to the bone. Fishing for zish, we stopped for a bit.
We spoke of subterranean humanoid puzzles, magically toasting the south-eastern border’s negative-seven-hundred-twelfth birthday. Burrowing in the dirt to get out of the heat, we caught the rare scent of moxen, an olfactory treat. Bounding over the marshy deserts by air and by spoon, a flock of moxen was spinning a cocoon. Snorting as they stamped, and grunting as they went, heartily nodding in gentle agreements as their spinnerets leapt, their horned feet and hoofed heads tread lightly on the wheat. Swishing tails of forgotten worlds, one luminous moxen neighed, mooed, and sang in a brilliant multiphonic display. It sang in tones rarely heard by the ears, in fact, I have heard it only once in ten thousand years.
Flocks of moxen walking up the trees, singing as they go, in all thirteen keys.
Bartholomew, an eclectic elf, high on dandelion wine and sugar-plum snooters, fancied he'd pry a sprig from the Elderbush. But unawares to spry Barty, a mulldrifter manticore was huffing about in his abode in a nearby water-lilly, angrily sulking, pevish at his loss of a game of chinese checkers. Leering through the fog, the manticore spyed shameless Barty, who was trying his best to break off a branch. "Codswollop! Humperdink!" Barty hiccuped feverishly in frustration, his cheeks turning strawberry red with strain. The manticore, trundling out of his lilly-bloom, spread his teeth like a fan, licked his lips, and shot into the air. Then suddenly downward he spiraled, whirligiggling and shrieking, so rapidly that Barty, loopily absorbed in his mind-numbing foolery, barely had time to react. He dodged slightly to the side (a moment too late), and saw at the instant before darkness, the periwinkle smile of cloud outlined in shimmer, and then plummeted beneath the surface of the loch.

Wednesday, April 28, 2010

Monday, April 26, 2010

tumor and the wolf


fished wolf
west prowling but the morning
such a fad
passed the dry-cut belt
the first, hard mother
sees her child cut
wall threw the window and
the wolf shall to the wolf sty
all dying to drive
the van
hard the sum win
fondling her child and sing: cut new
and the Wolf shod cowl kills him.
to wolf,
hang these words
want him
gong with clad and hungry
sad or thoughtless


Sunday, April 25, 2010

toad the frog


drinking place, trod bard
frogs and crashed
them ditch the mother
coming and messing her suns
nard his brothers
what had bum him
dad, dry mother
flay in new jest
very best with fray
grit fetched the place
crashed in ditch with his clan
alto frog puffing herself
the best west big
that nard smotherer
puff self sad snob
and knit angry
fray weld sir
sir burst then successfully
mitt the hens that monster

missal things can’t heap ten and try

Mystery MEat: Vessel


All I had to do was look inside myself there were objects clustered paper wads plastic sheets covering the rim of my gut. I was lost in frequent torque, sliding was permitted until there was only one sensory device remaining. Pushed around.

In the evenings my objects are removed (I breathe for a time), my stomach itself detaches and finds its way outside (I can see it flutter off as though possessed). Objects are always around me jostling ignorant coiling and springing. All movement is unattended. Opening, always, and closing on concurrent frequencies with the attitude of these creatures, looking and pressing I can barely see them, ghosts perhaps.

In my depths I found an emptiness I had not expected in my throat, (then again, I have always confused my sections, sometimes, my head is my base, my handles are my core, my gut is my shoulder). Temporality meant becoming: this was not allowed for me.

I despised rules and they me. I needed the rules to place myself where I needed to be and when I got around them I’d end up leaning off against some shattered souls of brick imprint in false letters sloping angularly. This was how the crack developed that leads me inside myself.

(Suddenly I am drifting again; it is now allowed.)

Having opened only slightly, (I considered it a great sin to indulge in the fissure), leaking was a reality for me, liquids forever spilling out rushing spontaneously into further frothing about the edges of the spiraling fur dragging backwards over the red haired plastics resting near the loving windows with hinges that screamed love proclamations to each and every notch. I died laughing, I suppose.

That sensual moment of self-exploration brought voids eons dispersed (I am still surprised I am still alive!) latching onto some permanent memory contortion of fantasy: gliding fairies, no rules, no ghosts, the laughter and sharp corners of rock.

I am erotically myself, pulling my own bowels forth, and I am sure they are real, filled to their edges as they often have been—yet, my objects remain a more permanent memory, shifting my weight, the pain a reminder of being.

Saturday, April 24, 2010

Ode to the Festival International de Louisiane

"Ode to the Festival International de Louisiane"
(a three-media art work featuring a poem and a video with music in 20-edo, a system that bitterly distorts the intervals we all know and love)
[dedicated to Sarah]

festival 2008 is when you left me.

loved you more than anything, but you would rather just get high.

gave your soul, in fear, to the demon in a jesus-mask.

like me, your n.d.e. could have set you free.

but now you are not even a faceless one in the crowd.

you are now like the street preachers of festival.

ending every sentence with "in the name of lord jesus christ amen."

festival 2008 was the last time your name was sarah; i don't know who you are anymore.


in the name of lord jesus christ amen

nigh eighth annum fog old joyous sightseer anthem

Friday, April 23, 2010

negus rabbi skin wisdom zed's god fudge

...tried to make a static-image video with music, but the software I was using didn't like this idea, so we came up with an interesting improvisation...
This is a new composition in a microtonal system I haven't yet used before: 41-edo (equal divisions of the octave). Not only does this system allow for all of the 5-limit intervals (standard intervals used in composition with 12 notes per octave), but also gives excellent approximations of the 7 and 11-limit ratios, thus unlocking the next two levels of harmonic complexity.

A Truth in a Certainty: a Doubt

In Xanadu, a pleasure-dome and without decree,
Whatever is sacred is like that which is measureless,
And whatever is measureless is like that which is sacred,
To run a river thru the sunless cavern.

And just as all walls girdle from the Garden,
Blossoming by the Rills, so all trees
Are enfolded from this forest hill by slanting.

Its chasm is the Moon
Its lover is the Demon.
The woman seethed it in its pants.
Her fountain is the Earth.

It is the fragment of every rebounding hailstone
On the thresher’s flail. Its rock is sacred
If it is flung into the river
Meandering the motion from the dale
And the caverns from men,
Lifelessly and with ancestral voices.

Prophesying shadow from the Dome of Pleasure,
And floating again from waves to measure,
And played together the dulcimer
Of maidens deep and loud.

In this way you will revive the singing of the icy caves
And all damsels will see you.
This is the dulcimer of all visions,
For it was an Abyssinian maid
That played the dulcimer loud.

This is the symphony reviving. From this,
And in this way, songs are sung.

For this delight I am called Kubla Kahn, for I build
The long domes for the sun of airy eyes.

Dread is what I have flashed
Of the circle of paradise.

Thursday, April 22, 2010

The Evolution of the House

THE HOUSE
All is contained within. The whole world. A meeting of three oceans, all visible from the center point of the hall; shag carpets in three colors each meeting there. The dirty mauve of my room reaching out tentatively into the grass green of the hall, stopping at the navy blue of my dad’s bedroom, which spilled into the living room. I rolled along them, tumbling over myself. Ran around the hall post: pink, green, and blue. Navigating. All carpets ending, breached by the yellow linoleum of the kitchen.

THE KITCHEN
A scorch mark on the linoleum in front of the floor heater where I sat in the cold mornings while dad got ready: took his shower, cleared his throat while watching ‘Passe Partout’ on the small black and white T.V. that he put into a shelf of the linen closet like a secret. I could see him from the kitchen, his heels and the backs of his legs swelling out from the door frame. His black hair flashing as he tilted his head back to gargle. That gentle retching. I ducked my head to the side as he turned to drop his pants. All those early wet sounds. His feet thumping the same yellow linoleum in the bathroom. I stretched my toes out toward the burning grille. His coffee, boiling, equal parts milk and sugar. A sip or two for me. Him telling me I was done baking in the heat, pulling me up by one arm as I smiled at him like Dopey. Him calling me “canaille” as I dragged my footied pajama feet against the floor not standing up as he pulled me into the soft green carpet and sat me down on the floor in front of the coffee table for breakfast. The mornings of the two residents of the house, my dad and I.

THE LIVING ROOM
Cartoons on the massive wooden T.V. set. Him handing me a tan and crystal sugar pop tart or a sloppy joe. He often ate what I called a shoe. Peanut butter and fig preserves on toast. The figs we picked together on the farm in Kaplan on a frigid December Friday. In twin rubber boots. Mine, the miniature. The same.

THE BEDROOM
The blue carpet, arms raising me up, to the bed. Digging my fingers into dad’s ribs, his mouth on the back of my neck. Hide and Seek, pressing my back into his soft leather shoes. From a crack under the door, a beam of morning. The arms, and dad, and God hanging around me like dust motes in the light.

THE HOUSE
The house remained intact but shivered. Yawned, mouth open just wide enough to admit another. My not-mother. It’s true she fit, that the house was obliged to her. Though the air grew thinner. Schisms formed. New patterns of light and dark. The rooms re-arranged themselves. She pointed her finger and the walls became the dark wine red of her lips. She touched the old beaten furniture; she paced the rooms. Spaces shrunk. I moved accordingly. I felt new expectations of my feet and hands. I was obliged to her, but hid myself away at night, in all the old hiding places.

THE KITCHEN
We were admonished by her for dragging our feet against the linoleum. For waking her up. We stopped eating at home. My father pulled me into the car in the dark morning and brought me to the hospital with him until it was late enough for him to drop me off at school. I sat at his desk with a paper wrapped cheese biscuit from McDonald’s. Picking the melted cheese off of the wax paper. The kitchen was transmographied in those mornings absent of heat. The world broke off a piece of itself and I breathed deeply for finding myself still in it.

THE HOUSE
The house with walls too thin for sleep. With doors with no locks. With a watchful Jesus in every room. The schizophrenic house in which there were two kitchens, two bedrooms, two living rooms. One house with her and the other with me in it.

THE KITCHEN
The soup bowls with handles that I knew from early childhood with big red crabs painted on the fronts, along with a recipe for crab bisque, I had held one with two tiny fists in the picture in our old house, the one in the country. In the old world. I loved them then. Now the crabs must all face the front, even when closed into the cabinet. I would like to hide behind its doors. To find a nook for my growing body that I could not quite make disappear. When I was small enough I would hide under the Legustrum bush with my back against the chain link fence. In department stores within a rack of clothes. Under my bed. Inside my skin.

THE BEDROOM
I woke up in the dark with an upset stomach and stumbled out of bed and into the hall. Shaking and sweating I gripped the brass knob of my father’s door, forgetting in my sickness that the room was no longer the old one, but new and hers. A flash of ass, two white cheeks hovering mid-air. I slammed the door shut and locked myself in the bathroom all night. No one came. The next morning she placed in my hand a rag and a can of Endust. One must dust not only around her numerous glass bottles of perfume, but they must be removed and the mirrored glass tray underneath must be sprayed with streak free cleanser and wiped free of dust. The sheets required a hot cycle then a two slow cycles in the dryer. Windex the wedding pictures. The tops of electrical outlets must also be dusted. You will no longer kiss your father on the lips.

THE BATHROOM
There was a hook latch on the inside of the bathroom door. I sat in the tub while the shower pounded away scalding. I could not hear the banging on the door, the strangled words, the murderous silences. I made a note that the towels must be folded once in half and then once again.



THE KITCHEN
Was I a prop? Lifesized, mechanical, my pelvis against the hard edge of the sink, my hands submerged in burning soapy water, working a sponge into the corners of the glass dish. Really trying, really concerned, with removing the impossible blackness. As if I could pacify her. Silence the screeching around me. She called me “her little worm,” with others in the kitchen, “a future slut,” when we were alone. But not alone. My father standing in the corner averting his eyes.

THE LIVING ROOM
The couch, where we usually sat together unless I was sitting alone. Unless I had begged to be left home from church. These moments of soft blue peace. Escaping the nausea from riding in the backseat. Escaping choking on perfume and avoiding her blunt arms during praise and worship. I tentatively let my fingers into my shorts. I sat alone but did not feel alone. I sat alone and have been sitting alone ever since.

THE BEDROOM
The brush of the carpet on my feet, hands, and ass as I discovered myself, in the dark, safe from her, safe from Jesus. Lying on the magenta floor with my bare girl’s feet up on the door that wouldn’t lock, that had a large rusted keyhole. I stuffed it with toilet paper and later, always found it gone.


THE HOUSE
During a storm. A hurricane in the gulf. The rooms, with no lights. I stretch my arms in front of me, feeling the angles of walls and door jambs. A candle burning on the bathroom counter and the red light flickering in retinas. Planks covering the windows, pounded in. Safe from the wind. I could manage in the dark. Hide in it. My fingers sliding over faces, noses, and tongue. The close pressing dark, wet and warm, dripping down the walls. I knock on every wall of the house, make noise and take up space. I suck up the air, again and again. I fling open doors. I play hide and seek and find the ghosts of myself, under the bed, in the closet, buried in clothes. They remain untouched. I gather them to me one by one then open the windows to let them go. I feel my lover in the dark. Wet eyes and hands. Alone in the house. We fuck on the counter, the table, and fuck on the scorch mark in the KITCHEN; we fuck in the chipped tub, the cold linoleum of the BATHROOM; we fuck on the couch and on the television set in the soft blue shag of the LIVING ROOM; we fuck in the BEDROOM in my father’s and mine. We fuck on every lateral surface. We fuck in the house, we fuck in the house, we fuck in the air in the dark of the house. As the house twirls up into the sky; as the house sinks down under the earth.

Monday, April 19, 2010

ATTN: Lester

What I think we should do as soon as school is over is start playing very minimalist free improv music. I have a little guitar amp that is pretty loud and we can patch your contact mic to it and hook that to your wooden sound-making boards and whatever else we think of (I wanna try an old deer skull I have.) Next to that we will have all our woodwinds which are pretty loud by themselves and don't need a P.A. We can alternate between me and you playing woodwinds and manipulating the things with the contact mic.

Minute Poem Experiment

1.
eyes on
my breath
hard up
in the chest
taper gone
use finger fly
the insect of dreams
passing through

2. A minute elapsed while a well-meaning person looked over my shoulder.

3. There is so much love in the world that it can't exist on it's own. It works its way into the air and works its way down throats. There are no cliches within the body. Just work.

4. 'Eyes look your last.' Is there more to say?

Sunday, April 18, 2010

this blue is making me blue indeed. Need something spunkier.

Wednesday, April 14, 2010

Library Papers (1 and 2)

[1]

intensity physically touching or forming behind cells
in response adaptations stretch
within a brain

a man got up
(behavior should be good for short dashes)
lifted back up

In vertebrates
negative feedback expands body
low salinity of water
biography of such crustaceans

already more than a decade has passed
formed from fragments
fossil egg sacs
timing reproduction of Modernism
(subpoint: they have great social behavior)
revolution, 3 steps:

1) Concentration of hormones increase dramatically
2) Gonads secrete sexual musk
3) Gradual increase in Communist command

exercising, dropping-out, burning-out
pre-professionals for learning
they should be playing


*


[2]

time hanging
freedom from sex, tourism, feelings.

‘drama’ signifies not all short films made
(hardly all plays)
an even bigger mirror in text

Modern Fiction: Evidence-based practice that
“no one has ever felt like this before” Babbling
for months
sometimes lost repeating themselves
retention of information forms metaphors.

on public responsibility:
generating confusing information
an evolving philosophy of popular consumerism and responsibility,
the whole effect of white marble

New Picture Time

E-mail me some pictures and I'll put them in the box (don't worry I'll clear the comments and skew the vote).

-leser

P.S. I'm making a Facebook for this thing because I fear it will die if I don't. It will also serve as a psuedo-facebook for me because I would like to be in touch certain people who are unable to communicate in any other way, and I would not like to have an internet embodiment of myself in case of a rapture mishap wherein my facebook self gets enraptured instead of my true self.

-leser 2